Arts & Entertainment » Books

In their own words

The straight hate from Iraq

by

comment

Nearly three years after the invasion of Iraq, soldiers, reporters and even coalition administrators have returned to tell their stories about this war. Sadly, the only voice we have heard little from belongs to the very people we set out to “liberate”: the Iraqis themselves.

In Night Draws Near, a recently announced finalist for the National Book Critics Circle Award in nonfiction, Anthony Shadid corrects that hideous oversight with a powerful glimpse at the effect this war has had on everyday Iraqi people. Shadid is a reporter for the Washington Post stationed in the Middle East, and in 2004 he won a Pulitzer Prize for his reporting of the war, focusing on the lives of ordinary Iraqis during wartime. With Night Draws Near he delivers a beautifully reported, crucial piece of context in a war where, as it turns out, context is everything.

“Time and again, I am struck by how seldom I hear the word, hurriya, ‘freedom,’ in conversations about politics in the Arab World,” writes Shadid in his introduction. “Much more common among Arabs is the word, adil, ‘justice.’”

This book captures why Iraqis feel their sense of justice has been trampled. For starters, as he reminds readers, the country the United States invaded had been suffering war for more than 30 years. The most costly of these conflicts was the Iran-Iraq War, started by Saddam Hussein, but funded by the United States. More than a quarter-million Iraqis died in that conflict alone.

Roaming the country, Shadid talks to men forced into duty for that war, including some who spent a great deal of it in Iranian prisons. One recalls Iraqi soldiers so desperate to get home they’d step on land mines in hopes the explosion would take just part of their bodies.

It’s easy to see why these veterans would want never to go to war again.

But, of course, they did.

Shadid didn’t speak only to former soldiers. Born in Oklahoma of Lebanese heritage, he was one of the few Arab-American writers in the Middle East who spoke Arabic, and he used his understanding of the culture to gain access to the thoughts of everyday Iraqis.

He talks to newly trained police forces in the Sunni Triangle, to intellectuals, to average men and women who waited out the “shock and awe” campaign in their homes, the blasts so powerful they ripped open the doors of refrigerators and shattered windows. One man explains why Iraqis who hated Saddam hate the invasion even more: “What gives them the right to change something that’s not theirs in the first place? I don’t like your house, so I’m going to bomb it and you can rebuild it again the way I want it, with your money? I feel like it’s an insult, really. What they’re doing to us, they deserve to have done to them…their children.”

The complaints heard so often in the news—the lack of security, clean water, electricity—are repeated here, but attached to people they mean something tangible.

It seems obvious that, left unsolved long enough, such legitimate complaints would coalesce around a leader who arose from the street, such as Shiite Muslim leader Moqtada Sadr, whom Shadid interviews when he is thrown into the limelight, awkward and blinking, as a figure of resistance.

Shadid believes that the confrontation between Sadr’s army and U.S. forces in Sadr City last August was inevitable. It came as the result, he says, of misinterpretations and a lack of sympathy.

And it was kicked off in part by the image of a U.S. helicopter trying to knock down a flag inscribed with the name of an important religious figure. Broadcast over Iraqi television, the picture infuriated Iraqis already on edge.

Perhaps it looks different within the fog of war, but with hindsight, it seems impossible not to interpret these events as precursors to a nationwide insurgency led, Shadid makes clear, not from one source but by a variety of people united by a language of religion.

“Iraq had now joined Palestine and Afghanistan, Chechnya and Bosnia, all countries where a besieged Muslim population was pitted against a more powerful foe,” Shadid writes.

When Night Falls reveals that this war might have gone differently if we had listened to the people of Iraq, as Shadid did from the beginning.

arts@missoulanews.com

Add a comment